
Song
IV. Boria
Magnus Lindberg
Released:
Label:
Ondine
Lindberg wrote his finest piece of chamber music yet -- the gorgeous but steely "Trio for clarinet, cello and piano" -- in 2008, before taking a gig with the New York Philharmonic. In between seasons, he recorded that piece with some similar items, and played all the piano parts himself. His tone has a rough-hewn grandness that suits the two opposing influences in his writing: the spectral harshness of his youth and a more recent romantic turn. "Santa Fe Project" -- for his piano and Anssi Karttunen's cello -- is another stunner. A surprise disc from the orchestral writer, but a welcome one.
About This Album
Lindberg wrote his finest piece of chamber music yet -- the gorgeous but steely "Trio for clarinet, cello and piano" -- in 2008, before taking a gig with the New York Philharmonic. In between seasons, he recorded that piece with some similar items, and played all the piano parts himself. His tone has a rough-hewn grandness that suits the two opposing influences in his writing: the spectral harshness of his youth and a more recent romantic turn. "Santa Fe Project" -- for his piano and Anssi Karttunen's cello -- is another stunner. A surprise disc from the orchestral writer, but a welcome one.
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About This Album
Lindberg wrote his finest piece of chamber music yet -- the gorgeous but steely "Trio for clarinet, cello and piano" -- in 2008, before taking a gig with the New York Philharmonic. In between seasons, he recorded that piece with some similar items, and played all the piano parts himself. His tone has a rough-hewn grandness that suits the two opposing influences in his writing: the spectral harshness of his youth and a more recent romantic turn. "Santa Fe Project" -- for his piano and Anssi Karttunen's cello -- is another stunner. A surprise disc from the orchestral writer, but a welcome one.