Bob Dylan has been known to mess with people's expectations when playing the songs they love (which he wrote) in concert, and At Budokan is an excellent testimonial to that. Between flute-driven opener "Mr. Tambourine Man" and versions of "Love Minus Zero/No Limit" and "Ballad of a Thin Man" that sound like they're being performed by a lite rock band, you can actually hear the audience becoming indignant. Yes, a reggae "Knockin' on Heaven's Door" -- with flute solo. Plus "Blowin' in the Wind," "The Times They Are A-Changin'" and "Maggie's Farm" are practically middle fingers. This album rules.