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Listen toMike Poston Napster

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About Mike Post

Mike Post is the undisputed king of modern television drama themes. He's seemingly written them all, from Law and Order to L.A. Law. What else do you want? The theme to NYPD Blue? Here. The theme to the saucy and ribald Silk Stalkings? Present and accounted for. Post is renowned for writing themes that instantly convey all the drama and tension of the programs themselves. While his intro to Law and Order is mellow and street smart, his work for NYPD Blue matches the show's melodrama and fast editing style pulse for pulse.

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Listen toMike Poston Napster

Mike Post is the undisputed king of modern television drama themes. He's seemingly written them all, from Law and Order to L.A. Law. What else do you want? The theme to NYPD Blue? Here. The theme to the saucy and ribald Silk Stalkings? Present and accounted for. Post is renowned for writing themes that instantly convey all the drama and tension of the programs themselves. While his intro to Law and Order is mellow and street smart, his work for NYPD Blue matches the show's melodrama and fast editing style pulse for pulse.

About Mike Post

Mike Post is the undisputed king of modern television drama themes. He's seemingly written them all, from Law and Order to L.A. Law. What else do you want? The theme to NYPD Blue? Here. The theme to the saucy and ribald Silk Stalkings? Present and accounted for. Post is renowned for writing themes that instantly convey all the drama and tension of the programs themselves. While his intro to Law and Order is mellow and street smart, his work for NYPD Blue matches the show's melodrama and fast editing style pulse for pulse.

About Mike Post

Mike Post is the undisputed king of modern television drama themes. He's seemingly written them all, from Law and Order to L.A. Law. What else do you want? The theme to NYPD Blue? Here. The theme to the saucy and ribald Silk Stalkings? Present and accounted for. Post is renowned for writing themes that instantly convey all the drama and tension of the programs themselves. While his intro to Law and Order is mellow and street smart, his work for NYPD Blue matches the show's melodrama and fast editing style pulse for pulse.