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Behind The Lines

by Anna Prohaska

Behind The Lines by Anna Prohaska

Listen to

Behind The Lines

by Anna Prohaska

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Released:
Label: Dg
How is it that this Austrian soprano can nail the American modernist sentimentality of Ives' songs (Tracks 8-10) as well as sing Schubert's "Ellens Gesang I"? Don't worry about it; just let her glorious sound hit you. This set of war songs -- a triumph not only of technique, but of programming imagination -- is great stuff, front to back. Particularly fine, though, are a Rachmaninoff grief-romance (Track 6), three tart Eisler items (Tracks 12-14) and two of Weill's Whitman settings (Tracks 24 and 25). Aside from Beethoven and Schumann, she even has time for Wolfgang Rihm's "Untergang."

About This Album

How is it that this Austrian soprano can nail the American modernist sentimentality of Ives' songs (Tracks 8-10) as well as sing Schubert's "Ellens Gesang I"? Don't worry about it; just let her glorious sound hit you. This set of war songs -- a triumph not only of technique, but of programming imagination -- is great stuff, front to back. Particularly fine, though, are a Rachmaninoff grief-romance (Track 6), three tart Eisler items (Tracks 12-14) and two of Weill's Whitman settings (Tracks 24 and 25). Aside from Beethoven and Schumann, she even has time for Wolfgang Rihm's "Untergang."

Songs

About This Album

How is it that this Austrian soprano can nail the American modernist sentimentality of Ives' songs (Tracks 8-10) as well as sing Schubert's "Ellens Gesang I"? Don't worry about it; just let her glorious sound hit you. This set of war songs -- a triumph not only of technique, but of programming imagination -- is great stuff, front to back. Particularly fine, though, are a Rachmaninoff grief-romance (Track 6), three tart Eisler items (Tracks 12-14) and two of Weill's Whitman settings (Tracks 24 and 25). Aside from Beethoven and Schumann, she even has time for Wolfgang Rihm's "Untergang."